Reviews (Selection)

Old Music In New Venue: Paris Puts Hall In The Seine
Classical Voice North America, April 2017

Comic Sorochintsy: Pigs On Stilts In Ukrainian Village
Classical Voice North America, April 2017

A convoluted Death in Venice at the Deutsche Oper Berlin
Financial Times, March 2017

Scartazzini Opera Fails To Shock In Berlin Premiere
Classical Voice North America, February 2017

Rattle, Berlin Phil Explore Drama In Symphonic Music
Classical Voice North America, February 2017

Visual Magic Hits, Misses In Ravel, Stravinsky Bill
Classical Voice North America, February 2017

Verdi’s Requiem, Philharmonie, Berlin – ‘Serenity and Commotion’
Financial Times, January 2017

Berlin Philharmonic New Year’s Eve concert, Philharmonie, Berlin
Financial Times, January 2017

Berlin Philharmonic New Year’s Eve concert, Philharmonie, Berlin
Financial Times, January 2017

Europapremiere nach 61 Jahren
Berliner Morgenpost, December 2016

Mit Barenboim am Ufer der Moldau
Berliner Morgenpost, December 2016

Senza Sangue/Bluebeard’s Castle, Staatsoper Hamburg — ‘Murky’
Financial Times, November 2016

Mahler Chamber Orchestra, Barbara Hannigan, Lucerne Festival
Financial Times, August 2016

Die Liebe der Danae, Grosses Festspielhaus, Salzburg: ‘Sumptuous’ 
Financial Times, August 2016

Bloody Whispers, Ripped From The Headlines Of 1590
Classical Voice North America, July 2016

Incantesimi Plays With Spells, But Magic Is Missing
Classical Voice North America, June 2016

Dreamy Juliette Weaves A Spell In Berlin Debut
Classical Voice North America, June 2016

Das Orchester atmet mit seinem Dirigenten
Berliner Morgenpost, June 2016

Fresh From 1709, Steffani’s Amor Bows As If Anew
Classical Voice North America, May 2016

Flucht, Trauer und Hoffnung
Berliner Morgenpost, April 2016

Cello und Flöte finden in atmenden Melodien zusammen
Berliner Morgenpost, April 2016

Tristan und Isolde, Festspielhaus Baden-Baden — ’21st-century tensions’
Financial Times, March 2016

Orfeo ed Euridice, Staatsoper Berlin — ‘Musically compelling’
Financial Times, March 2016

Orfeo ed Euridice: Music Transcends A Deathly Concept
Classical Voice North America, March 2016

Ritter, Hexen und Götter bevölkern die Bühne
Berliner Morgenpost, March 2016

Neue Konzertreihe stellt Berliner Komponisten vor
Berliner Morgenpost, March 2016

Passend zur Weltlage: Eine unstabile Klangwelt
Berliner Morgenpost, February 2016

Friedrich Cerha: Ideal für ein nächtliches Konzert
Berliner Morgenpost, February 2016

Die Dreigroschenoper, Theater an der Wien, Vienna — ‘Driven by display, not depth’
Financial Times, February 2016

Francois Couperin und die Lust mitzutanzen
Berliner Morgenpost, February 2016

After Too Many Lifetimes, A Life Hollowed Out
Classical Voice North America, February 2016

Eugene Onegin By The Book, But As Pastoral Romance
Classical Voice North America, February 2016

Ruzicka’s Portrait Of A Philosopher More Of A Selfie
Classical Voice North America, January 2016

Debussy’s Light Shines In Pelléas by Sellars, Berlin
Classical Voice North America, December 2015

Tugan Sokhiev bringt klassisches Repertoire auf Trab
Berliner Morgenpost, December 2015

Rias Kammerchor widmet sich der Todessehnsucht
Berliner Morgenpost, November 2015

AIM Premieres, Flanked By Icons Of Avante-Garde
Classical Voice North America, November 2015

Ruptures, Restarts At German Festival Where New Reigns
Classical Voice North America, October 2015

Thielemann braucht keine protzige Pultshow
Berliner Morgenpost, October 2015

James Conlon dirigiert eine Märchenwelt herbei
Berliner Morgenpost, October 2015

Vasco Da Gama (Or L’Africaine) Under Full Sail in Berlin
Classical Voice North America, October 2015

Ballende Energie statt klassischer Schönheit
Berliner Morgenpost, October 2015

Zubin Mehta zeigt am Pult eine würdevolle Eleganz
Berliner Morgenpost, September 2015

Dissonanzen einer Duschszene: Rattle dirigiert “Psycho”
Berliner Morgenpost, September 2015

Barenboim Hails Schoenberg at Musikfest Berlin
Classical Voice North America, September 2015

Harding dirigiert durch wehmütige Landschaften
Berliner Morgenpost, September 2015

Features (Selection)

Concerts Celebrate Isang Yun, a Musical Bridge Between Asia and Europe
New York Times, April 2017

Building the Future
Symphony Magazine, Spring 2017

Oper auf allen Kanälen
Berliner Morgenpost, July 2016

When One Instrument Speaks in Three Voices
New York Times, May 2016

Argentina’s Most International Composer Gets His Global Moment
New York Times, March 2016

In Berlin, Reinventing an Operatic Tradition
New York Times, December 2015

Die Berliner Philharmoniker in der Carnegie Hall
Berliner Morgenpost, November 2015

Urbild aller Männerchöre
Berliner Morgenpost, November 2015

Eternal Joy: The Persistence of Beethoven’s Ninth
originally in Listen: Life with Music & Culture, Spring 2012

Profiles (Selection)

Kirill Gerstein: battling it out with Gershwin and Schönberg
Financial Times, January 2017

New Artist of the Month: Aziz Shokhakimov
Musical America Worldwide, September 2016

Olga Neuwirth maintains eclectic Path in her Music
New York Times, August 2016

New Artist of the Month: Simone Rubino
Musical America Worldwide, April 2016

New Artist of the Month: Tobias Greenhalgh
Musical America Worldwide, January 2016

Tansel Akzeybek eröffnet die Bayreuther Festspiele
Berliner Morgenpost, July 2015